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Jae Ko:   Recent Sculpture and Drawings

April 5 - May 31, 2014

reception for the artist: Saturday, April 5, 4-6 PM

Washington Post Review





















Press Release

The Marsha Mateyka Gallery is pleased to present its 8th solo exhibition of works by nationally known artist  Jae Ko.
This exhibition introduces two new series: luminous white sculptures and innovative drawings.

Jae Ko transforms commercial, ubiquitous materials in her sculpture and her drawing. For over twenty years, her use of adding machine tape/receipt paper has enthralled viewers of her work.  Beginning with small rolls of paper on plastic spools, she removes the spools and rewinds the paper into enormous coils.

In this exhibition, Jae Ko continues to explore the energy trapped inside, large dense coils of paper.  By pulling and twisting the forms, and then seizing the twists with layers of glue, she has invented large-scale dynamic sculptures.  This exhibition features two luminous, white, wall mounted sculptures that approach 10 feet in height.  From a distance, these works not only appear to be carved from wood, they seem to be growing like wind blasted trunks of ancient trees.  In addition to wall mounted work, Jae Ko creates floor pieces.  The rear room of the gallery contains one such work--a huge dense configuration of clustered, spiraling red forms.

The new drawings represent a complete departure from her previous two dimensional works.  Here the artist draws with fine vinyl cord meticulously creating packed patterns of concentric growth or rhythmic fluctuations.

In both the sculpture and the drawings, Jae Ko’s use of color is elemental in its monochrome: white, black or red.  The new white lightens and lifts the vertical coils in the sculpture while in the drawings it adds an ethereal quality.  Black increases the physical presence of the sculptures and the appearance of depth in the drawings.  The rich red in Asian tradition connotes happiness.

In 2012, “Anonymous Was a Woman” chose Jae Ko, along with Uta Barth, Judy Pfaff, Betye Saar, Lorena Simpson and others to receive an unrestricted grant of $25,000 each, which is awarded nationally to women artist over 40, in recognition of their accomplishments and the quality of their work.

Born in Korea, educated in Tokyo and now living in the Washington, DC area, Jae Ko has exhibited extensively in recent years both in the United States and in Europe.  Recent solo museum exhibitions include a 10-year retrospective in 2008 at American University Art Museum and two concurrent solo exhibitions in the fall of 2010: "Jae Ko: Paper" at the Taubman Museum of Art in Roanoke, VA and "Force of Nature", a much celebrated installation that transformed an area at The Phillips Collection in Washington DC.

Her works are in numerous private and public collections, including in Washington, DC the Corcoran Gallery of Art, the Hirshhorn Museum and Sculpture Garden and The Phillips Collection.








Sculptures





JK755, 2014
rolled paper, Sumi ink, graphite and glue
55 x 7.5 x 5.5 inches








JK757, 2014
rolled paper, Sumi ink, graphite and glue
45 x 10 x 7.5 inches








         JK744, 2014
         rolled paper, Sumi ink, graphite and glue
         30.5 x 17 x 5 inches








                 JK758, 2014
                 rolled paper, Sumi ink, graphite and glue
                 23 x 10.5 x 9 inches








JK511, 2006
rolled paper, Sumi ink and glue
11 x 18 x 9.5 inches








JK741, 2014
rolled paper, colored ink, and glue
84 x 9 x 12 inches








                 JK740, 2014
                 rolled paper, colored ink, and glue
                 79 x 13 x 11 inches








           JK680, 2010
           rolled paper, glue and calligraphy ink
           42 x 9 x 6 inches







                 JK718, 2012
                 rolled paper, glue and calligraphy ink
                 44 x 12 x 9 inches








      JK801, 2014
      rolled paper, calligraphy ink, and glue
      dimensions variable





Drawings






Vinyl White 6, 2014
vinyl cord
18 x 18 inches







Vinyl White 17, 2014
vinyl cord
18 x 18 inches







Vinyl White 13, 2014
vinyl cord
12 x 12 inches







Vinyl Black 19, 2014
vinyl cord
18 x 18 inches







Vinyl Black 10, 2014
vinyl cord
12 x 12 inches







Vinyl Black 2, 2014
vinyl cord
18 x 18 inches







Vinyl Black 3, 2014
vinyl cord
18 x 18 inches







Vinyl Black 18, 2014
vinyl cord
12 x 12 inches







Vinyl Red 8, 2014
vinyl cord
18 x 18 inches







Vinyl Red 7, 2014
vinyl cord
18 x 18 inches







Vinyl Turquoise 15, 2014
vinyl cord
12 x 12 inches







Vinyl Turquoise 16, 2014
vinyl cord
12 x 12 inches


                                                Available works by Jae Ko



Reviews

The Washington Post
May 11, 2014, page 4, section E

"In the Galleries"
by Mark Jenkins

Jae Ko
Glue, paper and black ink were the only ingredients when Jae Ko began making her distinctively coiled sculptures from rolls of adding-machine paper.  The Korean-born local artist was doing a sort of 3-D calligraphy, working with the same materials used in Asian brush painting.  So it was natural for her to expand her palette slightly, adding red ink to the glue that both colors and binds the paper, or brushing the black sculptures with graphite powder.

Jae Ko’s “Recent Sculpture and Drawing” at Marsha Mateyka Gallery adds a new color, but it’s not really new.  Two of the elegant vertical wall sculptures are white, which is just an amplified version of the paper’s original color.  More surprising are the works dubbed drawings, which were executed with thin vinyl cord on adhesive paper.  Painstakingly fashioned, these arrangements in white, black, red and--another color!--turquoise resemble furrows, fingerprints and phonograph records.

The drawings aren’t as formidable as the sculptures, whose sleekly twisting forms suggest painted wood or metal.  But their many patterns, more abundant than those in the coiled paper, carry the eye in unexpected directions.  The spiraling vinyl strips suggest the rolls of paper Jae Ko has used for two decades, while demonstrating her carefully limited gambits can be extended without limit.

Jae Ko: Recent Sculpture and Drawings, On view through May 17 at Marsha Mateyka Gallery, 2012 R St.NW, 202 328-0088.
www.marshamateykagallery.com


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