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| Born |
1954 |
Humbolt, Tennessee
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| Education |
1982 |
BFA, Art Center College of Design, Pasadena CA |
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1987 |
BFA, San Francisco Art Institute, San Francisco, CA
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| Solo |
2003 |
Marsha Mateyka Gallery, Washington, DC |
| Exhibitions |
2001 |
Postmasters Gallery, New York, NY |
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2000 |
Marsha Mateyka Gallery, Washington, DC
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Galerie Huebner, Frankfurt, Germany
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1999 |
Postmasters Gallery, New York, NY |
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Angles Gallery, Los Angeles, CA |
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1998 |
"L. C. Armstrong, Painting", Rosenberg Gallery, Hofstra University,
Hempstead, NY |
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Gallerie Ausstellungsraum Hubner, Frankfurt, Germany |
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1997 |
Marsha Mateyka Gallery, Washington, DC
Galerie Huebner, Frankfurt, Germany |
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Bravin Post Lee, New York,NY |
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1995 |
"Making and Unmaking", Contemporary Art Museum, Univ. of South Florida,
Tampa, FL |
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1994 |
Bravin Post Lee, New York,NY |
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Angles Gallery, Santa Monica, CA |
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Philippe Rizzo Gallery, Paris, France |
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1993 |
Marsha Mateyka Gallery, Washington, DC |
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John Post Lee Gallery, New York,NY |
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1992 |
White Columns, New York,NY |
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Galerie Sophia Ungers, Cologne, Germany |
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1991 |
Galerie Sophia Ungers, Cologne, Germany |
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Group
Exhibitions |
2003 |
Flower Power, Palais des Beaux Arts, Lille, France
After Matisse-Picasso, P.S. 1 Contemporary Art Center,
Long Island City, NY |
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2002 |
Life is Beautiful, Laing Art Gallery, Newcastle-upon-Tyne, England |
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2001 |
Fleurs Du Mal, Santa Barbara Contemporary Arts Center,
Santa Barbara, CA
Between Earth and Heaven, P.M.M.K. Museum Voor Moderne Kunst,
Ostende, Belgium
The Burn: Artists Play With Fire, The Norton Museum of Art,
West Palm Beach, Florida |
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2000 |
Twisted: Urban and Visionary Landscapes in Contemporary
Painting, van Abbemuseum, Eindhoven, The Netherlands |
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1999 |
"Wordsmiths", Islip Art Museum, East Islip, NY |
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1996 |
"Bild verkundt: gesehen", Provinzial, Dusseldorf, Germany
Gramercy Hotel, New York,NY
Angles Gallery, Los Angeles, CA |
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1995 |
"A Drawing", Bravin Post Lee, New York,NY
"Pittura Immedia", Neue Galerie/Landsmuseum Joanneum Graz, Austria
"Word for Word", Beaver College Art Gallery, Glenside, PA
"...An Accumulation of Supple Solids", Littlejohn Gallery,New York
NY |
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1994 |
"Psychic Borders", Tyler School of Art, Philadelphia,
PA
"Jet Lag", Martina Detterer Gallery, Frankfurt, Germany
"Laissez-parler les petits papiers", Galerie Rizzo, Paris
"CRIME", Solo Impression Gallery, New York,NY |
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1994 |
"Life/Boat", The Rotunda Gallery, Brooklyn, NY
"Modus/Operandi", Leonora Vega, New York,NY
"Shouts and Whispers", Venue Gallery, Philadelphia, PA |
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1993 |
"Reverberations: L.C.Armstrong, Michele Blondel, Suzan
Etkin and
Lisa Hoke", Gallery One, Corcoran Gallery of Art, Washington, DC
"Like a Body Without a Shadow", Marsha Mateyka Gallery, Wash. DC
"The Young Americans", Galerie Sophia Ungers, Cologne, Germany
"The Good, The Bad, and The Ugly...a modest proposal", Galerie Jousse
Seguin, Paris, France |
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1992 |
"Transparency and Shape", Elga Wimmer Gallery, New York,NY
"Technorama", Barbara Toll Fine Arts, New York,NY
"Standards", Galerie Sophia Ungers, Cologne, Germany
"Letter S Road", Art/Omni, Hudson, NY
"Reverberations", The Corcoran Gallery of Art, Washington, DC
"The Biennale of Sydney", North Sydney, Australia
"7 Rooms 7 Shows", P.S. 1, Long Island City, NY
"ShapeShifters", Amy Lipton Gallery, New York, NY |
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1991 |
"42nd Biennial Exhibition of Contemporary American Painting",
The Corcoran Gallery of Art, Washington, DC
"Gulliver's Travels", Galerie Sophia Ungers, Germany
"From Sculpture", BACA/Brooklyn Arts Council, Brooklyn, NY
"Prospectus", Sandra Gering Gallery, New York, NY
"Home for June", HOME for Contemporary Theater and Art,New York NY |
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1990 |
Sandra Gering Gallery, New York, NY
Galerie Sophia Ungers, Cologne, Germany |
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1989 |
American Fine Arts Co., New York, NY |
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Fellowships
and Awards
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1991 |
Pollock-Krasner Foundation Grant |
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| Selected |
2001 |
Blotkamp, Carel, "Het Groene Hart Van Global City" de Volkskrant, Amsterdam, 9/28/01 |
| Bibliography |
2001 |
Dannatt, Adrian, "Artist's Inverview, New York: L.C. Armstrong, We Were Living in a Fool's Paradise", The Art Newspaper, December, 2001 |
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2001 |
Levin, Kim, "L. C. Armstrong", The Village Voice, December 4, 2001 |
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2001 |
Schudel, Matt, " Fire Works", Sun-Sentinel, South Florida, April 22, 2001 |
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2001 |
Sjostrom, Jan, "Burn, baby, burn", Palm Beach Daily News , April 29, 2001 |
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2000 |
Protzman, Ferdinand, "Landscapes That Burn into The Imagination", The Washington Post, 4/27/00, p. C5 |
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2000 |
Hayt, Elizabeth, "Style Directive for 2000: Make It extravagant", New York Times, Sunday, January 2, Section 9, page 1.
Volk, Gregory, "L. C. Armstrong at Postmasters", Art in America, April, p. 150.
Ziolkowski, Thad, "L. C. Armstrong, Postmasters", Artforum, March, p. 133. |
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1999 |
Pagel, David, "Flowers on a Fuse", Los Angeles Times, May 7, p. F5. |
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1997 |
Protzman, Ferdinand, "Business is Booming", Bomb Fuse Ignites L. C. Armstrong. |
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1996 |
"Bild verkundet: geshen" ( catalogue for the exhibition ), published
by Provinzial, Dusseldorf, Germany. |
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1995 |
Bosman, Kelly, "Resounding Silence: The Work of L. C. Armstrong",
essay, catalogue "Making and Unmaking", CAM, Univ. of South Florida,
Tampa, FL
Miller, Margaret, forward, catalogue "Making and Unmaking", CAM, Univ.
of South Florida, Tampa, FL.
Weibel, Peter, "Pittura/Immedia", catalogue, Neue Galerie am Landesmuseum
Joanneum Graz, Austria. |
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1994 |
During, Barbara, "Shouts and Whispers", ( catalogue for the exhibition
), Philadelphia, PA.
Hirsch, Faye, "L. C. Armstrong at John Post Lee", Art in America,
January.
Rappenecker, Gert, "Jet Lag", catalogue, Galerie Martina Detterer,
Frankfurt, Germany.
Schwabsky, Barry, "Studio View", New Art Examiner, February.
Schwabsky, Barry, "Written on the Body", Art Press, Summer. |
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1993 |
Arning, Bill, "Project", Bomb Magazine, Spring.
French, Christopher, "Like a Body Without a Shadow", essay accompanying
curation of exhibition, Marsha Mateyka Gallery, Wash.DC.
Gibson, Eric, "Opposing Approaches", The Washington Times, Jan. 10.
McWilliams, Martha, "Body Language", Washington City Paper, Jan. 22.
McWilliams, Martha, "Shaping Up, Washington City Paper, April 23.
McWilliams, Martha, "Shady Stories", Washington City Paper, Oct. 15.
Sultan, Terrie, "Reverbations: L.C. Armstrong, Michele Blondel, Suzan
Etkin, Lisa Hoke", essay, Corcoran Gallery of Art, Wash. DC, Jan. |
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1992 |
Dolan, Sean, essay, "The Boundary Rider", catalogue for the 9th
Biennale of Sydney, Australia, published 1992.
Eickhoff, Beate, "Anzeiger", Kolner Stadt, November 5.
French, Christopher,"Clear Contradictions", an essay on"Transparency
& Shape", Elga Wimmer Gallery, New York, NY, April - May.
Hirsch, Faye, "Written on the Wind", Tema Celeste, Autumn.
Noemi, Smolik, "Standards", Flash Art, October.
"L. C. Armstrong at Sophia Ungers", Koln Express, October. |
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1991 |
Baker, Kenneth, "Abstract Painting with a Twist",
San Francisco Chronicle, November 6.
Fleming, Lee, "Polite Formalities", New Art Examiner, Dec., pp. 22-25.
Gibson, Eric, "Corcoran put Painting to Test as Viable", The Washington
Times, September 6.
Johnson, Ken, essay, catalogue, "42nd Biennial Exhibition of Contemporary
American Painting," Corcoran Gallery of Art, Wash.,DC.
Richard, Paul, "Abstract and Personal", The Washington Post, Sept.
Sultan, Terrie, introduction to catalogue, "42nd Biennial Exhibition
of Contemporary American Painting", Corcoran Gallery of Art, Washington,
D.C., September - November.
Thorson, Alice, "Brushing the Surface", The City Paper, Sept. 26. |
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